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	<title>Comments on: Semi-Lost Interview: Rhoads on His Gear</title>
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	<link>http://www.woodytone.com/2009/10/27/semi-lost-interview-rhoads-on-his-gear/</link>
	<description>WoodyTone = ToneWoody</description>
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		<title>By: Khriss Bliss</title>
		<link>http://www.woodytone.com/2009/10/27/semi-lost-interview-rhoads-on-his-gear/comment-page-1/#comment-634</link>
		<dc:creator>Khriss Bliss</dc:creator>
		<pubDate>Tue, 06 Apr 2010 02:43:09 +0000</pubDate>
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		<description>Not only is there precious little on Rhoads &#039; sound but it takes some interpretation. Max Norman has provided awesome recording details but even he gets the name of the delay that gave him the &quot;tubey&quot; effect mistaken. For the longest time I thought the DoaM album was recorded with the Jackson, but apparently Randy took time to get used to his axes so it&#039;s arguable that he had gotten used to it between receiving it and recording. Not to mention his white Jackson neck seems to have limited fret access. I really wish I knew. Tonewise, I was really drawn to his sound right away. The way he combined acoustic a elec. on You Cant kill RnR and w nylon on Dee is just absolutely beautiful. Lately I&#039;ve been playing w two amps, one a tad delayed to emulate his magical doubletracked sound. But he is one of a kind.</description>
		<content:encoded><![CDATA[<p>Not only is there precious little on Rhoads &#8216; sound but it takes some interpretation. Max Norman has provided awesome recording details but even he gets the name of the delay that gave him the &#8220;tubey&#8221; effect mistaken. For the longest time I thought the DoaM album was recorded with the Jackson, but apparently Randy took time to get used to his axes so it&#8217;s arguable that he had gotten used to it between receiving it and recording. Not to mention his white Jackson neck seems to have limited fret access. I really wish I knew. Tonewise, I was really drawn to his sound right away. The way he combined acoustic a elec. on You Cant kill RnR and w nylon on Dee is just absolutely beautiful. Lately I&#8217;ve been playing w two amps, one a tad delayed to emulate his magical doubletracked sound. But he is one of a kind.</p>
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		<title>By: Kyle</title>
		<link>http://www.woodytone.com/2009/10/27/semi-lost-interview-rhoads-on-his-gear/comment-page-1/#comment-364</link>
		<dc:creator>Kyle</dc:creator>
		<pubDate>Wed, 28 Oct 2009 04:22:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.woodytone.com/?p=1276#comment-364</guid>
		<description>Wow if only we could all be lucky enough to play guitar for a few moments and play with Ozzy. Very cool to learn how he crafted his unique tone </description>
		<content:encoded><![CDATA[<p>Wow if only we could all be lucky enough to play guitar for a few moments and play with Ozzy. Very cool to learn how he crafted his unique tone</p>
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