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	<title>WoodyTone! &#187; DiMarzio</title>
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	<link>http://www.woodytone.com</link>
	<description>WoodyTone = ToneWoody</description>
	<lastBuildDate>Thu, 02 Feb 2012 19:13:14 +0000</lastBuildDate>
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  <title>WoodyTone!</title>
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		<item>
		<title>2 Minutes To Powerslave Tone</title>
		<link>http://www.woodytone.com/2011/12/08/2-minutes-to-powerslave-tone/</link>
		<comments>http://www.woodytone.com/2011/12/08/2-minutes-to-powerslave-tone/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 17:56:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Boss/Roland]]></category>
		<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[DOD]]></category>
		<category><![CDATA[Dunlop/Cry Baby]]></category>
		<category><![CDATA[Iron Maiden]]></category>
		<category><![CDATA[Marshall]]></category>
		<category><![CDATA[MXR]]></category>
		<category><![CDATA[Yamaha]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=3047</guid>
		<description><![CDATA[Okay, not really two minutes, but I&#8217;m diggin&#8217; &#8220;2 Minutes To Midnight&#8221; these days, so&#8230;. What gear did Iron Maiden&#8217;s Dave Murray and Adrian Smith use on Powerslave? Hold on – I guess the first question is, Is their tone woody? IMO no, but it&#8217;s the distinctive what I&#8217;d call &#8220;saturated&#8221; metal tone these guys [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/12/08/2-minutes-to-powerslave-tone/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Gilmour&#8217;s The Wall Gear!</title>
		<link>http://www.woodytone.com/2011/11/08/gilmours-the-wall-gear/</link>
		<comments>http://www.woodytone.com/2011/11/08/gilmours-the-wall-gear/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 17:16:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arbiter]]></category>
		<category><![CDATA[David Gilmour]]></category>
		<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[Electro-Harmonix]]></category>
		<category><![CDATA[Ernie Ball/Music Man]]></category>
		<category><![CDATA[Fender]]></category>
		<category><![CDATA[Hiwatt]]></category>
		<category><![CDATA[Marshall]]></category>
		<category><![CDATA[MXR]]></category>
		<category><![CDATA[Orange boost]]></category>
		<category><![CDATA[Seymour Duncan]]></category>
		<category><![CDATA[Strat]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=3023</guid>
		<description><![CDATA[There&#8217;s this issue of the old, defunct but often awesome Guitar Shop mag I have that runs down Dave Gilmour&#8217;s live gear from every period of Pink Floyd. Crazy! Actually too much stuff to put in here, but I had to get something in so here we are. The thing that kick-started this post is [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/11/08/gilmours-the-wall-gear/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Calling Dr. Love: Wood!</title>
		<link>http://www.woodytone.com/2011/08/19/calling-dr-love-wood/</link>
		<comments>http://www.woodytone.com/2011/08/19/calling-dr-love-wood/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 17:55:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Ace Frehley]]></category>
		<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[KISS]]></category>
		<category><![CDATA[Marshall]]></category>
		<category><![CDATA[Paul Stanley]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=2918</guid>
		<description><![CDATA[Even if you&#8217;re not a KISS fan or hate KISS or Gene Simmons or whatever, give this tune another listen – the original studio version, not the redo. Make it a loud listen. Why: &#62; This whole album (Rock and Roll Over) has woody guitars all over it – because it was produced by Eddie [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/08/19/calling-dr-love-wood/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>More on Ed&#8217;s Shark: Pickups, Color</title>
		<link>http://www.woodytone.com/2011/07/01/more-on-eds-shark-pickups-color/</link>
		<comments>http://www.woodytone.com/2011/07/01/more-on-eds-shark-pickups-color/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 16:00:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[Edward Van Halen]]></category>
		<category><![CDATA[Ibanez]]></category>
		<category><![CDATA[Mighty Mite]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=2830</guid>
		<description><![CDATA[Seems from photos that EVH did not change the stock Destroyer pickups until sometime after he chainsawed the guitar. Since Ed constantly messed with just about everything, this is very odd. So what does it tell us? He liked the stock Super 70 pickups. Why? Probably because they were (or sounded like) a higher-output pickup. [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/07/01/more-on-eds-shark-pickups-color/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Jeff Carlisi&#8217;s .38 Special Gear Deets</title>
		<link>http://www.woodytone.com/2011/04/26/jeff-carlisis-38-special-gear-deets/</link>
		<comments>http://www.woodytone.com/2011/04/26/jeff-carlisis-38-special-gear-deets/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 17:22:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[.38 Special]]></category>
		<category><![CDATA[Allen Collins]]></category>
		<category><![CDATA[Boss/Roland]]></category>
		<category><![CDATA[Celestion speakers]]></category>
		<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[Don Barnes]]></category>
		<category><![CDATA[Explorer]]></category>
		<category><![CDATA[JBL speakers]]></category>
		<category><![CDATA[Jeff Carlisi]]></category>
		<category><![CDATA[Les Paul]]></category>
		<category><![CDATA[Les Paul Junior]]></category>
		<category><![CDATA[Lynyrd Skynyrd]]></category>
		<category><![CDATA[MXR]]></category>
		<category><![CDATA[Peavey]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=2692</guid>
		<description><![CDATA[Even though Ronnie Van Zant wrote and sung the line &#8220;Handguns are made for killin&#8217;, ain&#8217;t no good for nothin&#8217; else,&#8221; his younger bro Donnie started a band that ended up being named after a handgun. And that band (.38 Special) produced some great stuff tunes in the &#8217;80s, not all of which were the [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/04/26/jeff-carlisis-38-special-gear-deets/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>More on the DiMarzio Super Distortion</title>
		<link>http://www.woodytone.com/2011/02/24/more-on-the-dimarzio-super-distortion/</link>
		<comments>http://www.woodytone.com/2011/02/24/more-on-the-dimarzio-super-distortion/#comments</comments>
		<pubDate>Thu, 24 Feb 2011 17:32:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Ace Frehley]]></category>
		<category><![CDATA[Blackfoot]]></category>
		<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[Edward Van Halen]]></category>
		<category><![CDATA[Paul Gilbert]]></category>
		<category><![CDATA[Tom Scholz/Boston]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=2548</guid>
		<description><![CDATA[(Part 2 of 2) From Tuesday&#8217;s post you see that Al Di Meola and Ace Frehley were big-time DiMarzio Super Distortion (DSD) users. Who else was in that club? Here&#8217;s a partial list, in no particular order: Tom Scholz (still uses) Paul Stanley (used Dual Sound, a coil-tapped DSD) Edward Van Halen (early, modified – [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/02/24/more-on-the-dimarzio-super-distortion/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Super Distortion: A Classic Rock Classic</title>
		<link>http://www.woodytone.com/2011/02/22/the-super-distortion-a-classic-rock-classic/</link>
		<comments>http://www.woodytone.com/2011/02/22/the-super-distortion-a-classic-rock-classic/#comments</comments>
		<pubDate>Tue, 22 Feb 2011 17:14:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Ace Frehley]]></category>
		<category><![CDATA[Al Di Meola]]></category>
		<category><![CDATA[DiMarzio]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/2011/02/22/the-super-distortion-a-classic-rock-classic/</guid>
		<description><![CDATA[(Part 1) DiMarzio&#8217;s Super Distortion (DSD) pickup doesn&#8217;t get a lot of love these days. But it should because it contributed to a lot of classic rock tones, and still can – if you use it right. The DSD was intro&#8217;d in 1972, and was the first aftermarket replacement pickup. Its primary attribute was higher [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/02/22/the-super-distortion-a-classic-rock-classic/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>3 Early Gary Moore Phases and Gear</title>
		<link>http://www.woodytone.com/2011/02/09/3-early-gary-moore-phases-and-gear/</link>
		<comments>http://www.woodytone.com/2011/02/09/3-early-gary-moore-phases-and-gear/#comments</comments>
		<pubDate>Wed, 09 Feb 2011 22:21:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Boss/Roland]]></category>
		<category><![CDATA[Celestion speakers]]></category>
		<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[Echoplex]]></category>
		<category><![CDATA[Electro-Voice speakers]]></category>
		<category><![CDATA[Gary Moore]]></category>
		<category><![CDATA[Ibanez effects]]></category>
		<category><![CDATA[Les Paul]]></category>
		<category><![CDATA[Les Paul Junior]]></category>
		<category><![CDATA[Marshall]]></category>
		<category><![CDATA[Soldano]]></category>
		<category><![CDATA[Strat]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=2524</guid>
		<description><![CDATA[Wow. A man dying so young and out of the blue (no apparent sickness or substance abuse) is a body blow in the guitar community. RIP Gary! Had to do a tribute of sorts. Thought for a while about what to do, here&#8217;s the result. Hope you enjoy. (Diehard Moore fans, please contribute any gear [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/02/09/3-early-gary-moore-phases-and-gear/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Did Semi-Hollows Give Paul Gilbert Wood?</title>
		<link>http://www.woodytone.com/2011/01/07/did-semi-hollows-give-paul-gilbert-wood/</link>
		<comments>http://www.woodytone.com/2011/01/07/did-semi-hollows-give-paul-gilbert-wood/#comments</comments>
		<pubDate>Fri, 07 Jan 2011 20:31:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[Laney]]></category>
		<category><![CDATA[Marshall]]></category>
		<category><![CDATA[Paul Gilbert]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=2449</guid>
		<description><![CDATA[A couple years ago, Paul Gilbert was favoring semi-hollow guitars. You could attribute that to him being an at-times weird dude, but turns out that&#8217;s not (entirely) why he made the change to those guitars, albeit since reversed. So why did he like semi-hollows? In a word, tone. That&#8217;s what Paul said in a Guitar [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/01/07/did-semi-hollows-give-paul-gilbert-wood/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Rick Nielsen, Austin City Limits, Fuchs Amps</title>
		<link>http://www.woodytone.com/2011/01/05/rick-nielsen-austin-city-limits-fuchs-amps/</link>
		<comments>http://www.woodytone.com/2011/01/05/rick-nielsen-austin-city-limits-fuchs-amps/#comments</comments>
		<pubDate>Wed, 05 Jan 2011 19:18:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Celestion speakers]]></category>
		<category><![CDATA[Dean Markley]]></category>
		<category><![CDATA[DiMarzio]]></category>
		<category><![CDATA[Dunlop/Cry Baby]]></category>
		<category><![CDATA[Explorer]]></category>
		<category><![CDATA[Fuchs]]></category>
		<category><![CDATA[Gibson]]></category>
		<category><![CDATA[Gretsch]]></category>
		<category><![CDATA[Hamer]]></category>
		<category><![CDATA[Ibanez]]></category>
		<category><![CDATA[Les Paul]]></category>
		<category><![CDATA[Rick Nielsen/Cheap Trick]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=2437</guid>
		<description><![CDATA[Wow! Anyone here in the U.S. catch the recent airing (re-airing?) of Cheap Trick live on Austin City Limits? Couple quick observations after watching: &#62; Cheap Trick is a ROCK BAND. Lots of big guitar tone, great classic rock/Beatles-esque tunes, good singing – a real freakin&#8217; band! Great to see and hear they&#8217;re still doing [...]]]></description>
		<wfw:commentRss>http://www.woodytone.com/2011/01/05/rick-nielsen-austin-city-limits-fuchs-amps/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
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