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Does it get any better than Bad Company for classic rockage? I’ll answer that for you: No! For years I’ve held onto an old Guitar Player with Mick Ralphs on the cover, and of course now I can’t find it…but I did find the interview online. In it Mick goes into some pretty decent gear [...]
I’ve been obsessin’ over the 1980 Rockpalast footage of that little ol’ band from Texas. The boys were a lot more fiery back then, and the Rev. Willy G sounds AWESOME. yeah, some of it’s the style, the hands, all that, but some of it fo sho is that Lester paul through…what? First give this [...]
Been meaning to scribble about this for a while. If you haven’t heard Tom petty’s most recent studio album – Mojo, birthed in 2010 – you need to. It’s not going to rock you out of your undies, but parts of it actually do rock in a vintage way. When I heard the tune “I [...]
Here’s the last of the interesting stuff from the newly published transcript of the entire 1978 interview of Edward Van Halen that Jas Obrecht did for Guitar Player mag. Wish there was a lot more! Guitar Stuff The Shark/Destroyer Jas: Does it have a standard neck? EVH: Yeah. It’s completely stock, really, except for the [...]
Wooooooo-hooooooooo! Stoked! The earliest interview we have of Edward Van Halen is the one Jas Obrecht did that ran in the July (and then November) 1978 issue of Guitar Player magazine. But we weren’t reading everything Jas had on tape because just like with any print interview, what’s published is cropped way down. At the [...]
If a pedigree counts for something, and it always does, it’s tough to beat the three simians that founded 3 Monkeys Amps. The equation goes something like this: Greg Howard: guitar tech to the stars including Brad Whitford, the Black Crowes, etc. + Ossie Ahsen: tech and owner of the former (and highly regarded) Blockhead [...]
Even though Ronnie Van Zant wrote and sung the line “Handguns are made for killin’, ain’t no good for nothin’ else,” his younger bro Donnie started a band that ended up being named after a handgun. And that band (.38 Special) produced some great stuff tunes in the ’80s, not all of which were the [...]
In the early ’70s, the Eagles were heading down a country path. That was all well and good, but they wanted to rock.
It’s no secret that I like Joe Bonamassa. The guy is flying the flag – of blues, blues-rock and classic rock. Works hard too. Tours his butt off and puts out new music like bands used to do in the old days: Black Rock about a year ago, Black Country Communion (they’re touring, so get [...]
Part 2, Protos and Rig Details Three prototype amps were used by Neal at HipKitty to start the R&D process for Mick’s signature head. Neal said two 50w heads were started to form the primary distortion channel and tone circuit. The third proto head was/is a 100-watter “that uses the culmination of the refined distortion/tone [...]
Part 1 – Plus Iso Tracks! I love Mick Jones’ stuff. Simple riffs, great song hooks and I love the tone he has on some of the older tunes. It’s Marshall plexi, but…different. I’d always thought I heard something different there, anyway. Maybe it had to do with the odd wiring in his Les Paul. [...]
And some oddballs…. As I type this, Bonham’s auction house is auctioning off a bunch of Eric Clapton-owned gear to benefit his Crossroads rehab center. Took a look at the online catalog, and here’s what caught my eye, starting with the coolest stuff:
High Voltage! by John Drenning Okay, I’ll come clean. I have a Big Stupid Pedalboard. It’s a Furman with eight power taps, four power outlets, casters and an extendable handle like the bags flight attendants use. It takes up about the same amount of floor space as a foosball table. On it are two buffered [...]
I’ve had these three old Guitar Player magazine interviews kicking around on my desktop for a while now, decided to wind them up into one post. Interesting stuff, here are the most interesting tone-related excerpts:
Wow. A man dying so young and out of the blue (no apparent sickness or substance abuse) is a body blow in the guitar community. RIP Gary! Had to do a tribute of sorts. Thought for a while about what to do, here’s the result. Hope you enjoy. (Diehard Moore fans, please contribute any gear [...]
Yngwie Malmsteen’s signature Marshall has gotten a lot of interest, seemingly more because people like the idea of a 100w Marshall plexi with attentuation (power scaling) than because it’s a signature amp. With the recent NAMM trade show now over, some more details of the amp have come out.
Full Circle Maybe? Plus the 50w 5150 III – Amp Settings? Don’t know if you’ve seen the few vids from the EVH booth at the recent NAMM trade show, but if not, most interesting for me was the new EVH Wolfgang Custom – basically a Les Paul in EVH clothing. Or maybe an EVH-ized Les [...]
Wow! Anyone here in the U.S. catch the recent airing (re-airing?) of Cheap Trick live on Austin City Limits? Couple quick observations after watching: > Cheap Trick is a ROCK BAND. Lots of big guitar tone, great classic rock/Beatles-esque tunes, good singing – a real freakin’ band! Great to see and hear they’re still doing [...]
Anyone remember that song “Fantasy”? (If not, it’s below.) I liked it, though it did remind of a Jefferson Starship tune – which will be the subject of the next post. Off and on I’ve tried to track down info on the gear Aldo used on that tune, since he apparently played all the parts [...]
The Guitar Player interview mentioned in Tuesday’s post had more info, beyond just Cream. Here are the tonealicious highlights of that, starting with a Les Paul and Marshall rocked on a Beatles tune: GP: By the way, was that you playing the lead guitar part on “As My Guitar Weeps” on the Beatles album? There [...]
Once in a while Guitar Player sends out these “flashback” emails of old interviews. One semi-recent one was Eric Clapton in June 1970, daddy-o. Although that was post-Cream – or “the Cream,” as it was called back then – he talked about his gear in Cream. Here are the juicy deets plus some notes: GP: [...]
Part 1 I love Lynyrd Skynyrd. One of the greatest bands ever IMO. I never got a chance to see the original band live, but was days away from going to a Rossington-Collins Band show
Here’s part 2 of a look back at when Gary Moore first got back into the blues and, in some ways, Les Pauls. Excerpts are from an October 1990 Guitar Player interview, and all quotes are Gary’s. Before getting into the gear and gear approach he took on Still Got the Blues, here’s a bit [...]
A buddy of mine recently bought the track “Say What You Will” by Fastway. I remember when the video for that tune first came out – the Internet says it was 1983. Full into my Eddie Van Halen phase, I (and many others!) thought Fastway was “behind the times, man.” The guys looked “old” or [...]
Neal Schon famously toured with Santana when he (Neal) was 15. He then bolted with a couple of bandmates and co-founded one of the biggest U.S. rock bands, Journey. He has chops and feel, plays great blues and apparently is a cool dude. What’s not to like about this guy? Here’s more about his experience, [...]
I have a few buds who still laugh at me for digging Journey. I think it’s the Steve Perry, Jonathan Cain-driven “Don’t Stop Believin’” stuff that gets them laughing because after the chuckle they’re always like, “Neal Schon, great player.” “F-in A right!” as they say, or used to, in Patterson, N.J. Neal is a [...]
F the iPod, my brothers. Nothing sounds as good as blasting tunes out of speakers, particularly in the car. I don’t know what it is – the enclosed space, the audio engineering, the proliferation of high-end audio stuff in vehicles…. Don’t know and don’t care. The bottom line for me is that when I crank [...]
This March the Free Forever DVD was re-released in expanded form, this time as a 2-DVD set – which is the first I’d heard about Free Forever. I couldn’t wait to get, watch it and tell you all how it is. Overall, it’s great. GREAT. What’s not to like? The songs are great, the singing [...]
More Volume, Less Volume Knob… What is Black Robot? If you guessed a Japanese comic book, you’d be…wrong. It’s an LA-based band, a new one but made up of veteran players who wanted to make classic-sounding rock. And they did, thanks in large part to producer Dave Cobb. Dave is a kung fu master of [...]
…Including Why He Slagged Gibson Vivian Campbell has definitely left his mark on hard rock history