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	<title>WoodyTone! &#187; John Petrucci</title>
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		<title>Sweep-Picking: Are You For It or Against It?</title>
		<link>http://www.woodytone.com/2010/01/27/sweep-picking-are-you-for-it-or-against-it/</link>
		<comments>http://www.woodytone.com/2010/01/27/sweep-picking-are-you-for-it-or-against-it/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 06:37:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[John Petrucci]]></category>
		<category><![CDATA[Picking Technique]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=1558</guid>
		<description><![CDATA[
Sometime back I started a thread on thegearpage.net titled &#8220;Outlaw sweep-picking?&#8221; and I meant it – sort of. I meant it in the sense that 9 out of the 10 times I&#8217;ve seen or heard sweep-picking in the rock arena, it&#8217;s been pure &#8220;wankage.&#8221; It may even detract from all-important TONE.
There&#8217;s no feeling associated with [...]]]></description>
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<p>Sometime back I started a thread on thegearpage.net titled <a href="http://www.thegearpage.net/board/showthread.php?t=637614" target="_blank">&#8220;Outlaw sweep-picking?&#8221;</a> and I meant it – sort of. I meant it in the sense that 9 out of the 10 times I&#8217;ve seen or heard sweep-picking in the rock arena, it&#8217;s been pure &#8220;wankage.&#8221; It may even detract from all-important TONE.<span id="more-1558"></span></p>
<p>There&#8217;s no feeling associated with these uber-distorted notes buzzing by at the speed of sound, same as you can&#8217;t appreciate the look of a hummingbird when it&#8217;s zipping by. Or maybe it&#8217;s along the lines of, &#8220;Just because you can do it, doesn&#8217;t mean you should.&#8221;</p>
<p>Whatever the case, the folks at thegearpage (some of whom got pretty passionate about it!) made some good points – like how certain people use sweep-picking tastefully, notably jazz dudes. Okay, fair enough. But I&#8217;ll bet that when most folks hear the words &#8220;sweep-picking,&#8221; they think of out-and-out shredding. They don&#8217;t think of Steve Vai, Joe Satriani or Frank Gambale.</p>
<p>They might be more likely to think of John Petrucci, a man of monster technique who in the following Guitar Center video teaches people how to sweep-pick (bear in mind that John is a highly-regarded player, and deservedly so). I&#8217;m not a sweep-picking fan, but I like some of Dream Theater&#8217;s stuff so I watched the vid.</p>
<p>The two-note thing is kind of cool. Beyond that I confess he lost me. Totally. (No offense to John – not intending to pick on him here at all. Just thought it was important to see someone &#8220;of stature&#8221; doing it.)</p>
<p>After watching it, I ask you – should sweep-picking be outlawed? Maybe on a warning system – three infractions of tasteless or unnecessary wanking (recorded, not live?) and get a one-year suspension?!</p>
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		<title>On the Other Hand/Finger</title>
		<link>http://www.woodytone.com/2008/10/22/on-the-other-handfinger/</link>
		<comments>http://www.woodytone.com/2008/10/22/on-the-other-handfinger/#comments</comments>
		<pubDate>Wed, 22 Oct 2008 21:08:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[John Petrucci]]></category>
		<category><![CDATA[Paul Gilbert]]></category>
		<category><![CDATA[Picking Technique]]></category>

		<guid isPermaLink="false">http://www.woodytone.com/?p=54</guid>
		<description><![CDATA[On the subject of switching your picking from thumb/forefinger to thumb/first two fingers &#8212; well, you can go the other way too. Paul Gilbert used to play with two fingers and a thumb, but switched to thumb/forefinger, apparently just to get a cooler, cello-like pick attack &#8212; and because of a little thumb pain.


Here&#8217;s what [...]]]></description>
			<content:encoded><![CDATA[<p>On the subject of switching your picking from thumb/forefinger to thumb/first two fingers &#8212; well, you can go the other way too. Paul Gilbert used to play with two fingers and a thumb, but switched to thumb/forefinger, apparently just to get a cooler, cello-like pick attack &#8212; and because of a little thumb pain.<br />
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<span id="more-54"></span><br />
Here&#8217;s what he says about it on YouTube. (I feel a little bad about posting this since it seems to have been appropriated from an instructional vid, but&#8230;.) He also goes into how pick attack produces different sounds.</p>
<p>As an aside, I saw Paul on what I believe was the most recent G3 tour, in NYC. His tone was awesome, his playing was awesome, his band was awesome. Was his tone woody? I can&#8217;t say a wholehearted yes, but it was clear and raw. No processing, unlike John Petrucci of Dream Theater, who was the second guitarists in that show (Paul opened, Satch closed).</p>
<p>Regardless of your opinion of Paul&#8217;s tone, he&#8217;s awesome.</p>
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